一肖中特惠泽社群|六合一肖中特平

交響音樂會

  • 2019年04月12日 星期五 19:30
  • 購票指南北京音樂廳

導賞 我的第二定音鼓協奏曲的靈感源自中國的園林,不同的樂章就像是不同的亭臺樓閣,而樂章之間的過度段落則像是這些建筑之間的小徑。定音鼓獨奏有時會試圖影響或者說服樂隊跟隨自己走上某條小徑,而有時兩者又會分道揚鑣。

定音鼓獨奏在這里使用的是一種特殊的擴展版9面“高音定音鼓”,懸置于6面常規的定音鼓之上。全世界只有兩套這種這種高音定音鼓,并且為這種樂器創作的協奏曲也只有兩部。

管弦樂團與獨奏部分的演奏技巧非常華麗,并且聽眾還會聽到從音樂廳不同位置傳來的預先錄制好的音效。

本場音樂會上的另一部作品是謝德林根據比才歌劇《卡門》改編創作的組曲,也被稱作“敲擊卡門”,聽眾同樣可以從中感受到打擊樂器的巨大魅力。(詹姆斯·博茲諾斯,定音鼓演奏家、作曲家)

交響音樂會

Symphonic Concert



詹姆斯·博茲諾斯:第二定音鼓協奏曲

喬治·比才/羅季翁·謝德林:卡門組曲



定音鼓:詹姆斯·博茲諾斯

指揮:景煥


定音鼓:詹姆斯·博茲諾斯

詹姆斯·博茲諾斯是音樂表演者,作曲家,教育家以及指揮家。他1969年出生于芝加哥,如今在亞洲、北美洲以及歐洲各地演出。從2000年起,他擔任香港管弦樂團首席定音鼓演奏家。

詹姆斯·博茲諾斯作為獨奏家與香港管弦樂團合作過三次,演出了克拉夫特第一定音鼓協奏曲,博茲諾斯本人創作的為定音鼓、旋轉鼓與管弦樂團所作的協奏曲,以及克拉夫特第二定音鼓協奏曲修訂版的世界首演。他經常以客座首席的身份與臺灣NTSO交響樂團、新加坡交響樂團以及金澤管弦合奏團等合作。他在香港APA與香港大學任教。

在加入香港管弦樂團之前,博茲諾斯與芝加哥交響樂團以及波士頓與芝加哥的頂尖樂團定期合作。在那段時期,他與芝加哥室內樂團在歐洲十座城市巡演,演奏布魯多維茨的馬林巴協奏曲,在希臘德爾菲的古代露天劇場演奏澤納基斯為獨奏打擊樂所作的《Psappha》,在柏林國家歌劇院皮埃爾·布列茲75歲生日音樂會上與布列茲本人合作演奏Derive I與II。他指揮他自己的合奏團體KLANG演出過超過60部當代作品,其中包括了施托克豪森的《周四的問候》在美國與亞洲的首演。

作為作曲家,博茲諾斯使用筆名OZNO。他為管弦樂團、室內樂、獨奏、聲樂、電子樂以及戲劇寫作音樂,近期他的作品在香港首演的包括為薩克斯四重奏所作的《沙丘之語》、為獨奏打擊樂與iPod所作的《Zoon》,為16件輪奏打擊樂器、合成樂隊與錄音帶所作的第一交響曲“天網的階梯”,為管弦樂團所作的“谷歌”,為6件樂器、6名歌手與合成樂隊所作的“Anesti”,為6聲部合唱團、19件樂器與錄音帶所作 “Nevu’ah”,為管弦樂團所作的“Oikogeneia”,以及為定音鼓與合成樂隊所作的“a time, times and half a time”等。中國愛樂樂團與廣州交響樂團將首演他的為定音鼓、管弦樂團與mp3所作的第二協奏曲。他的第三康塔塔是一首為獨奏家、合唱團與管弦樂團所作的大型作品,將由香港巴赫合唱團于2019年首演。2020年,香港管弦樂團將由梵志登指揮演奏他的一首新的管弦樂作品。

本場音樂會是他第一次與中國愛樂樂團合作。


指揮:景煥

自2013年9月起,景煥擔任廣州交響樂團駐團指揮,同年12月首次亮相指揮廣州交響樂團音樂季音樂會,與小提琴大師馬克西姆·文格洛夫一起成功合作柴科夫斯基《D大調小提琴協奏曲》。自2014年開始,景煥兼任廣州交響樂團附屬青少年樂團暨廣州學生交響樂團音樂總監,于2015年帶領樂團赴德國柏林參加“歐洲青年古典音樂節”,在柏林音樂廳演出,備受贊賞。

景煥曾經擔任美國辛辛那提交響樂團和五月音樂節樂團指揮助理,同時兼任辛辛那提青年管弦樂團助理指揮以及阿塔利亞室內樂團首席客座指揮。2012年6月,景煥在中國青島舉行的第一屆李德倫全國指揮比賽中成為兩位獲獎者之一。隨后,景煥赴巴西圣保羅參加若丹山莊國際音樂節,她的卓越表現獲得了著名女指揮馬琳·阿爾索普邀請,在 2013年2月開始擔任圣保羅國家交響樂團助理指揮。

作為歌劇指揮,景煥與辛辛那提大學音樂學院管弦樂團合作指揮了莫扎特的歌劇《費加羅的婚禮》、普契尼的歌劇《圖蘭朵》以及斯特拉文斯基的歌劇《浪子歷程》。

她曾與克羅地亞廣播電視交響樂團以及波蘭波德拉謝省歌劇院愛樂樂團合作。2010 及2011年夏天,景煥赴意大利出任辛辛那提大學音樂學院斯柏拉圖音樂節助理指揮。 

2011年,景煥獲得第五屆波蘭盧托斯拉夫斯基青年指揮比賽、第五屆克羅地亞羅夫羅·馮·馬塔奇科國際青年指揮比賽頒發的數個獎項。

畢業于中央音樂學院指揮系,師從著名指揮家、音樂教育家徐新教授。2009年以優異成績完成美國辛辛那提大學音樂學院指揮系碩士學位,并獲得全額獎學金繼續攻讀該校博士學位。


James Boznos: Concerto for Timpani and Orchestra No.2

Georges Bizet-Rodion Shchedrin: Carmen Suite



James Boznos, timpani

Jing Huan, conductor


James Boznos, timpani

A performer, composer, educator and conductor, James Boznos (1969, Chicago) performs throughout Asia, North America and Europe. Since 2000, he has been the Principal Timpanist of the Hong Kong Philharmonic Orchestra.

James has been soloist with the HK Phil on three occasions, having performed the Kraft Timpani Concerto No.1, as well as his own composition Concerto for Timpani, Roto-Toms and Orchestra, and the world premiere of the revised version of Kraft's Timpani Concerto No.2. He has been a frequent guest principal with the National Taiwan Symphony Orchestra, Singapore Symphony and the Orchestra Ensemble Kanazawa. He teaches at the Hong Kong APA and Hong Kong University.

 Prior to joining the HKPhil, Boznos worked regularly with the Chicago Symphony and the leading new music groups of Boston and Chicago.

In those years, some highlights include; a ten-city European tour with the Chicago Chamber Orchestra performing Brudowicz's Marimba Concerto; performing Iannis Xenakis' Psappha for solo percussion in the ancient amphitheatre in Delphi, Greece, and playing Derive I and II at the Berlin Staatsoper Pierre Boulez' 75th birthday, with Boulez himself conducting. With his ensemble KLANG, he conducted over sixty contemporary works including the USA and Asia premiere of Donnerstags Gruss by Stockhausen.

As a composer, James Boznos uses the pen name OZNO. He has written music for orchestra, chamber, solo, vocal, electronic genres as well as for the theatre. Recent premieres in Hong Kong have included:

“Locutions of Dune”, for saxophone quartet, “Zoon, for solo percussion and ipod”, his first Symphony “Staircase of the Tian-Wang”, for 16 antiphonal instruments, synthetic orchestra and tape, “Google”, for orchestra, “Anesti”, for 6 instruments, 6 voices and synthetic orchestra,“Nevu’ah”, for 6 part chorus, 19 instrumentalists and tape, “Oikogeneia” for orchestra, and “a time, times and half a time” for timpani and synthetic orchestra. The China Philharmonic and Guangzhou Symphony will soon premiere “Concerto Nr.2 for timpani, orchestra and mp3”. Ozno's Cantata #3, a large scale work for soloists, choir and orchestra will be premiered by the Hong Kong Bach Choir in 2019. In 2020, the Hong Kong Philharmonic will perform a new orchestral work with Jaap van Zweden.

This concert features his debut with the China Philharmonic Ochestra.


Jing Huan, conductor

Huan Jing has been Resident Conductor of the Guangzhou Symphony Orchestra since September 2013. That December, she made her critically-acclaimed debut leading the ensemble in collaboration with Maxim Vengerov in Tchaikovsky’s Violin Concerto. She has served as Music Director of the Guangzhou Symphony Youth Orchestra since 2014. In 2015, she led the GSYO on a successful European tour, appearing at the Konzerthaus Berlin under the auspices of Young Euro Classic.

Huan has served as Conducting Assistant of the Cincinnati Symphony Orchestra and May Festival; she was also the Conducting Assistant of the Cincinnati Symphony Youth Orchestra and Principal Guest Conductor of the Artaria Chamber Orchestra. In June 2012, Huan was one of two prizewinners at the inaugural Li Delun National Conducting Competition held in Qingdao. Later that summer, she participated in the Campos do Jord?o International Festival in S?o Paulo, Brazil. Her outstanding performance led to an invitation by Maestro Marin Alsop to serve as Assistant Conductor of the S?o Paulo State Symphony beginning in February 2013.

In the realm of opera, Huan Jing has led the CCM Concert Orchestra in productions of Mozart’s The Marriage of Figaro and Puccini’s Turandot. She has also conducted Stravinsky’s The Rake’s Progress.

Huan has collaborated with the Croatian Radio Television Symphony Orchestra and Poland’s Podlasie Opera and Philharmonic. During the summers of 2010 and 2011, she was Assistant Conductor at the CCM Spoleto Festival in Italy.

In 2011, Huan received commendations from the Fifth Witold Lutos?awski International Competition for Young Conductors and the Fifth Lovro von Mata?i? International Competition of Young Conductors.

A graduate of the Conducting Department of the Central Conservatory of Music, Huan Jing trained under the tutelage of Professor Xu Xin. In 2009, she obtained her Master’s Degree in Orchestral Conducting at the University of Cincinnati College-Conservatory of Music (CCM), where she was awarded a full scholarship to continue her doctoral studies.

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