一肖中特惠泽社群|六合一肖中特平

交響音樂會

  • 2018年11月30日 星期五 19:30
  • 購票指南北京音樂廳

導賞 2010年,中國愛樂樂團與指揮家奧斯莫·范斯卡首度攜手,迄今雙方的美好友誼已經保持了八年,2018年11月30日,他將再度站在中國愛樂樂團的指揮臺上,攜手小提琴家王敬,為觀眾帶來莫扎特、科恩戈爾德和科普蘭的經典作品。今年,奧斯莫·范斯卡與明尼蘇達交響樂團共同錄制的馬勒《第五交響曲》獲得格萊美最佳管弦樂演奏獎,足可見范斯卡在美國樂團的崇高聲望。

在現代語境下,“神童”除了意味著天才的褒義含義,還往往多了些“傷仲永”式惋惜意味。但音樂史上,對于奧地利作曲家莫扎特的“音樂神童”評價,則飽含著人們對于這位偉大作曲家的全部敬意。其中,歌劇《唐璜》就是一部音樂才思四溢、極具天才靈性的偉大作品,甚至有“莫扎特在作品首演前24小時才創作完成其中序曲”的傳奇故事相伴。11月30日,這首序曲將在音樂會上與觀眾見面,唐·璜的玩世不恭用短短幾個樂句就活靈活現,這素描般準確的音樂語言令人著迷。

很多觀眾都有一個疑問,古典音樂歷經20世紀初文藝流變的革命,走向了哪里?其實當晚音樂會上科恩戈爾德的作品可以視作一個權威答案。1934年后,流亡美國的科恩戈爾德以電影音樂作曲家聞名,但這之前他曾由作曲家馬勒介紹在策姆林斯基門下學習。在這場音樂會上,觀眾將聽到他創作的《D大調小提琴協奏曲》,對小提琴協奏曲作品有所衷愛的觀眾們不妨將這部作品與柴科夫斯基、勃拉姆斯等作曲家的經典作品進行對比,或許浪漫主義在20世紀的余韻在這種對比下,也會散發別樣的芬芳。同樣發生在20世紀,1944年夏至1946年,美國作曲家阿倫·科普蘭潛心創作,其成果便是《第三交響曲》。這首作品中,科普蘭全力尋找著管弦樂團的音響潛力,在這種探索下,一部宏大的交響曲應運而生。此外,科普蘭被奉為第一位創作出美國本土風格的作曲家,觀眾不妨在這部交響曲中尋找一下像可口可樂一樣純正的美國味道。(孫海杰,樂評人)

交響音樂會

Symphonic Concert



沃爾夫岡·阿瑪迪烏斯·莫扎特:《唐璜》序曲,作品K.527

埃里希·沃爾夫岡·科恩戈爾德:D大調小提琴協奏曲,作品35

阿倫·科普蘭:第三交響曲



小提琴:王敬

指揮:奧斯莫·范斯卡


小提琴:王敬

備受贊譽的加拿大籍小提琴家王敬,是當代最多才多藝及活力充沛的小提琴家之一。他六歲于法國馬賽作個人獨奏首演后,于多項頂尖國際大賽獲得殊榮,其中包括于2007年歐文克萊恩國際弦樂賽獲得首獎。2003年,他獲Les Radios Francophones Publiques(涵蓋法國、加拿大、瑞士及比利時的廣播聯網)選為「年度年輕獨奏家」。

王敬以獨奏者身份隨各大樂團于歐洲及北美演奏,曾合作的樂團包括捷克廣播愛樂樂團、莫斯科交響樂團、洛林國家樂團、皮卡地交響樂團、蒙特利爾大都會管弦樂團及蒙特利爾交響樂團。他曾在梅塔大師指揮下,與上海交響樂團合作;11月他即將在范斯克大師執棒下,與中國愛樂同臺。他又曾與多位名指揮合作,如迪普斯、弗洛、塔密、拉孔、雷辛約、曼森等。

王敬曾于各大主要表演場地,如位于渥太華的國家藝術中心及林肯中心演出室樂及獨奏音樂會,獲得擊節贊賞。他演奏的樂韻可經常于加拿大CBC廣播電臺收聽。王敬亦是德薩斯州達拉斯室樂系列 Ensemble 75 的創辦人之一。

2013年王敬出任香港管弦樂團的樂團首席前,曾任達拉斯歌劇院樂團的樂團首席三年。他演奏的小提琴為瓜達尼尼(G.B. Guadagnini)于1760年所制,由劉元生慈善基金安排借出。


指揮:奧斯莫·范斯卡

奧斯莫·范斯卡已經擔任明尼蘇達管弦樂團的音樂總監十五年之久,他率領這支樂團五次舉行大規模的歐洲巡演,此外還在2015年5月應古巴文化部的邀請率團歷史性地訪問古巴,明尼蘇達管弦樂團由此成為美國與古巴兩國宣布重建外交關系后首支訪問古巴的美國樂團。2018年他率領明尼蘇達管弦樂團重返BBC逍遙音樂節,演奏伯恩斯坦、格什溫與艾夫斯的作品,此后率領樂團在南非的五座城市舉行巡演,該巡演是全世界范圍內紀念內爾森·曼德拉百年誕辰系列活動的一部分。樂團也因此成為有史以來首支造訪南非的美國樂團,兩國音樂家們共同用音樂的語言表達和平、自由與和解。

在擔任明尼蘇達管弦樂團音樂總監期間,他率領樂團錄制了17張唱片,其中他們錄制的西貝柳斯作品專輯榮獲2014年格萊美“最佳管弦樂演奏”獎,馬勒第五交響曲專輯獲2018年同一獎項提名。此外,他創辦并指揮每年的“未來古典”音樂會,并在明尼阿波利斯以及其它城市發起了許多教育與拓展計劃。

作為廣受歡迎的客座指揮家,范斯卡將在2018-2019音樂季重返芝加哥交響樂團、新世界交響樂團以及首爾愛樂樂團等,此外將在中國與上海交響樂團、中國愛樂樂團、杭州愛樂樂團、香港管弦樂團合作。在歐洲,他將再次攜手赫爾辛基愛樂樂團演出,還將指揮柏林德意志交響樂團、荷蘭廣播愛樂樂團、倫敦愛樂樂團與冰島愛樂樂團等。

在上個音樂季里,范斯卡首次與柏林廣播交響樂團、西南德廣播交響樂團、多倫敦交響樂團與臺灣NTSO交響樂團合作,并重返巴黎管弦樂團、舊金山交響樂團、匹茲堡交響樂團、首爾愛樂樂團與赫爾辛基愛樂樂團的舞臺。在明尼蘇達,他指揮了宗教改革500周年音樂會,芬蘭建國百年音樂會,明尼蘇達公里廣播50周年音樂會以及明尼蘇達管弦樂團作曲家學院15周年音樂會等,此后還首演了姐夫·比爾、塞巴斯蒂安·庫里爾以及詹姆斯·史蒂芬森等作曲家的作品。

范斯卡曾在美國與國家交響樂團、克里夫蘭管弦樂、費城交響樂團以及洛杉磯愛樂樂團合作過,在歐洲則指揮過倫敦交響樂團、伯明翰城市交響樂團、維也納交響樂團以及里昂國立管弦樂團、瑞士羅曼德管弦樂團(他曾率該團在歐洲、中國與印度巡演),在亞洲指揮過以色列愛樂樂團以及讀賣日本交響樂團等。

除了擔任明尼蘇達管弦樂團的音樂總監之外,他還從2014年起擔任冰島交響樂團的首席客座指揮,此前他在1993至1996年擔任該團首席指揮。如今他是拉蒂交響樂團的桂冠指揮(他曾擔任過該團音樂總監),同時還擔任蘇格蘭格拉斯哥的BBC蘇格蘭交響樂團首席指揮。

作為杰出的錄音藝術家,他主要為BIS唱片公司錄音,最近的唱片包括了與明尼蘇達管弦樂團合作的馬勒第五與第六交響曲,此后還將繼續錄制馬勒第二交響曲,延續他的馬勒全集計劃。他與明尼蘇達管弦樂團合作錄制了貝多芬與西貝柳斯的全部交響曲,同樣是與BIS唱片公司合作,獲得了世界各地的如潮好評。他與葉甫根尼·蘇德賓合作錄制的貝多芬鋼琴協奏曲也在世界各地廣受贊譽,并獲得格萊美與《留聲機》雜志大獎的提名。

范斯卡在芬蘭西貝柳斯音樂學院學習指揮,在1982年摘得貝桑松指揮比賽冠軍。他的職業生涯從演奏單簧管開始,曾擔任過赫爾辛基愛樂樂團的聯合單簧管首席。近年來他又開始重新演奏這件樂器,經常在室內樂音樂會上演奏,還在2012年錄制了卡萊維·阿霍的室內樂作品。

范斯卡是皇家愛樂協會獎、芬蘭頌基金會藝術與文學獎、2010年哥倫比亞大學迪特森獎的獲獎者。他曾獲得格拉斯哥大學與明尼蘇達大學頒發的榮譽博士學位,并被《音樂美國人》雜志授予2005年年度指揮家稱號。2013年他獲得德國唱片評論家協會辦法的年度大獎,以表彰他在BIS錄制的全部西貝柳斯作品錄音中所作的貢獻。

范斯卡上一次與中國愛樂樂團合作是在2012年12月16日,他指揮了肖斯塔科維奇與普羅科菲耶夫的作品。



Wolfgang Amadeus Mozart: Overture to Don Giovanni, K.527

Erich Wolfgang Korngold: Violin Concerto in D major, Op.35

Aaron Copland: Sympony No.3



Jing Wang, violin

Osmo V?nsk?, conductor


Jing Wang, violin

Critically acclaimed Canadian violinist Jing Wang is one of the most versatile and dynamic violinists of his generation. Since his solo recital debut in Marseilles, France at the age of six, Wang has garnered prizes in top international competitions, including the first prize at the 2007 Irving M. Klein International Strings Competition. In 2003, Wang was awarded the "Young Soloist of the Year" by Les Radios Francophones Publiques, a broadcast network of four countries including France, Canada, Switzerland, and Belgium. As a part of the award, Wang’s first CD album including works by Beethoven, Ravel and Gershwin was released in Europe.

Wang has appeared as a soloist with major orchestras in Europe and North America, including Czech Radio Philharmonic, the Moscow State Symphony Orchestra, l'Orchestre National de Lorraine, l’Orchestre de Picardie, the Metropolitan Orchestra of Montreal, and the Montreal Symphony Orchestra. He has played with the Shanghai Symphony Orchestra under the baton of Zubin Mehta and in November will perform with China Philharmonic under Maestro Osmo Vanska. He has collaborated with renowned conductors such as James DePreist, Claus Peter Flor, Yoav Talmi, Jacques Lacombe, Joseph Rescigno and Anne Manson.

Wang’s chamber music performances and solo recitals at major venues, such as National Arts Centre in Ottawa, and Lincoln Center, received critical acclaim and his performances are heard frequently on CBC Radio-Canada. Additionally, Wang is one of the founding members of Ensemble75, a chamber music series based in Dallas, Texas.

Under Maestro Graeme Jenkins, Wang was the Concertmaster of the Dallas Opera from 2010-2013. He previously served as guest Concertmaster for the Kansas City Symphony under Maestro Michael Stern and the San Antonio Symphony under Maestro Sebastian Lang-Lessing. Appointed by Maestro Jaap van Zweden, Wang is currently Concermaster of the Hong Kong Philharmonic since 2013. He plays a 1760 G.B. Guadagnini violin, a loan arranged by the Y. S. Liu Foundation.


Osmo V?nsk?, conductor

Music Director of the Minnesota Orchestra for 15 years, Osmo V?nsk? has led the Orchestra on five major European tours, as well as an historic trip to Cuba in May 2015, at the invitation of the Cuban Ministry of Culture – the first visit by an American orchestra since the two countries announced steps to re-establish diplomatic relations. In 2018 he returned with the orchestra to the BBC Proms performing works by Bernstein, Gershwin and Ives before embarking on a five-city tour to South Africa as part of the world-wide celebration of Nelson Mandela’s Centenary. The tour, which marked the first by an American orchestra to the country, drew together South African and American performers featuring musical expressions of peace, freedom and reconciliation.

Other key highlights of his tenure with the Minnesota Orchestra include 17 album recordings (winning a Grammy Award in 2014 for ‘Best Orchestral Performance’ for their second Sibelius album and being nominated in 2018 with the recording of Mahler’s Symphony No.5), initiating and conducting the annual Future Classics concert, and various educational and outreach projects, in Minneapolis and other cities.

In great demand as a guest conductor, 2018/19 includes re-invitations to the Chicago and New World symphony and Seoul Philharmonic orchestras, and a return to China to work with Shanghai Symphony, and China, Hangzhou and Hong Kong philharmonic orchestras. In Europe he makes one of his regular appearances with Helsinki Philharmonic and conducts the Deutsches Symphonie-Orchester Berlin, Netherlands Radio Philharmonic, London Philharmonic and Iceland Symphony orchestras.

Last season V?nsk? made his debuts with Rundfunk-Sinfonieorchester Berlin, SWR Sinfonieorchester, Toronto and National Taiwan symphony orchestras, and returned to Orchestre de Paris, San Francisco and Pittsburgh symphony, and Seoul and Helsinki philharmonic orchestras. In Minnesota he led concerts marking the 500th anniversary of the Protestant Reformation, Finland’s centennial, the 50th anniversary of Minnesota Public Radio and 15th anniversary of the Minnesota Orchestra Composer Institute – while also presenting world premieres of music by Jeff Beal, Sebastian Currier and James Stephenson.

Previously, he worked in the US with National Symphony, The Cleveland, Philadelphia and Los Angeles Philharmonic orchestras; in Europe with London, City of Birmingham and Vienna symphony orchestras, as well as Orchestre National de Lyon and Orchestre de la Suisse Romande (including a tour to Europe, China and India); and in Asia with Israel Philharmonic and Yomiuri Nippon Symphony orchestras, amongst others.

Alongside his musical directorship with Minnesota Orchestra, he has been Principal Guest Conductor with Iceland Symphony Orchestra since 2014 – having previously served as Chief Conductor from 1993 to 1996. Concurrently he is Conductor Laureate of the Lahti Symphony Orchestra (having previously been its Music Director), and also held the position of Chief Conductor of the BBC Scottish Symphony Orchestra, in Glasgow, Scotland.

A distinguished recording artist, primarily for the BIS label, his most recent recordings are of Mahler’s Symphonies No. 5 & 6, with the Minnesota Orchestra, to be followed later this year by Symphonies No. 2 and 1, continuing the cycle dedicated to the composer. With Minnesota he has recorded the complete Beethoven and Sibelius symphony cycles, also for BIS, to rave international reviews – while recordings of Beethoven’s piano concertos with Yevgeny Sudbin, have also garnered worldwide praise, including Grammy and Gramophone award nominations.

V?nsk? studied conducting at Finland’s Sibelius Academy and was awarded first prize in the 1982 Besan?on Competition. He began his career as a clarinetist, occupying, amongst others, the co-principal chair of the Helsinki Philharmonic Orchestra. In recent years he has enjoyed a return to the instrument, including regular chamber music performances and a recording of Kalevi Aho’s chamber works, in 2012.

V?nsk? is the recipient of a Royal Philharmonic Society Award, the Finlandia Foundation’s Arts and Letters award, and the 2010 Ditson Award from Columbia University. He holds honorary doctorates from the universities of Glasgow and Minnesota and was named Musical America’s 2005 Conductor of the Year. In 2013 he received the Annual Award from the German Record Critics' Award Association for his involvement in BIS’s recordings of the complete works by Sibelius.

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